Following the rebrand from 203 Media, StreetTalk combats ‘AI Slop’ and influencer fatigue by delivering unscripted and authentic street interviews that are restoringFollowing the rebrand from 203 Media, StreetTalk combats ‘AI Slop’ and influencer fatigue by delivering unscripted and authentic street interviews that are restoring

StreetTalk Appoints Former Tinuiti Chief Growth Officer Jesse Eisenberg as CEO to Scale “Conversation Creative” Agency

Following the rebrand from 203 Media, StreetTalk combats ‘AI Slop’ and influencer fatigue by delivering unscripted and authentic street interviews that are restoring consumer trust.

NEW YORK, Dec. 18, 2025 /PRNewswire/ — StreetTalk (formerly 203 Media), a creative agency specializing in Conversation Creative, has appointed Jesse Eisenberg as chief executive officer.

StreetTalk, a creative agency specializing in Conversation Creative, names Jesse Eisenberg as chief executive officer.

Formerly serving as the chief growth officer of Tinuiti, the largest independent media agency in the United States, Eisenberg has joined StreetTalk to scale the agency’s rapid growth. During his 17-year tenure at Tinuiti, Eisenberg scaled the agency from $1 million to more than $200 million in revenue, alongside multiple exits. This strategic move is aimed at further fostering influence in the advertising industry’s newest genre with StreetTalk’s proprietary solution, “Conversation Creative“.

Eisenberg joins StreetTalk at a pivotal moment as the agency has rebranded to combat the rise of “AI Slop” in modern advertising and propose a solution to the arising issue of influencer fatigue. As of late, modern advertising has been inundated with videos created using AI solutions to serve marketing campaign budgets, not humans. StreetTalk steps in to course correct the narrative. To view examples of the agency’s unscripted street interviews for marketing campaigns with brands like Dr. Squatch and NOBS, visit StreetTalk’s full digital portfolio.

“After 17 years of building the largest independent Performance Marketing agency in the country, I started to recognize clients becoming frustrated at media buyers for what was truly a creative issue. As we’ve all heard by now, with the commoditization of media buying with AI, creative is the No. 1 optimization lever for marketers. That’s where StreetTalk steps in; to bridge the gap that’s already forming between consumers and advertisers,” Jesse Eisenberg, chief executive officer of StreetTalk, said.

“StreetTalk is the first agency to go all in on this format. To take Conversation Creative from a niche strategy to a global standard, we needed a builder who has actually done it before,” said Josh Suggs, founder of StreetTalk. “Jesse has the blueprint for turning a high-growth challenger into an industry leader. He knows how to scale operations without losing the soul of the creative work. That specific experience is exactly what we need to take our production model to the next level.”

About StreetTalk: StreetTalk is a creative advertising agency that develops strategy-led campaigns built around street-interview video content, a format the company calls Conversation Creative. StreetTalk partners with brands across CPG, consumer apps and services, food and beverage, health and wellness, entertainment, and more. The agency focuses on creating “Conversations that Convert” across digital, social, paid media, and experiential channels to help clients scale their business. For more information, visit www.StreetTalk.com.

Cision View original content to download multimedia:https://www.prnewswire.com/news-releases/streettalk-appoints-former-tinuiti-chief-growth-officer-jesse-eisenberg-as-ceo-to-scale-conversation-creative-agency-302645404.html

SOURCE StreetTalk

Market Opportunity
Jesse Logo
Jesse Price(JESSE)
$0.006434
$0.006434$0.006434
-22.96%
USD
Jesse (JESSE) Live Price Chart
Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact service@support.mexc.com for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.

You May Also Like

[OPINION] Honduras’ election turmoil offers a warning — and a mirror — for the Philippines

[OPINION] Honduras’ election turmoil offers a warning — and a mirror — for the Philippines

IN PROTEST. Supporters of the Liberty and Refoundation party protest in front of the presidential palace in support of Honduran President Xiomara Castro in what
Share
Rappler2025/12/19 20:00
UST honors ‘heaven-sent’ Pastrana, Soriano as Tigresses reignite UAAP contender fire

UST honors ‘heaven-sent’ Pastrana, Soriano as Tigresses reignite UAAP contender fire

After crossing paths in UST for the first time in UAAP Season 86, Kent Pastrana and Eka Soriano leave the Growling Tigresses' lair as two-time champions, reigniting
Share
Rappler2025/12/19 20:21
Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued

Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued

The post Foreigner’s Lou Gramm Revisits The Band’s Classic ‘4’ Album, Now Reissued appeared on BitcoinEthereumNews.com. American-based rock band Foreigner performs onstage at the Rosemont Horizon, Rosemont, Illinois, November 8, 1981. Pictured are, from left, Mick Jones, on guitar, and vocalist Lou Gramm. (Photo by Paul Natkin/Getty Images) Getty Images Singer Lou Gramm has a vivid memory of recording the ballad “Waiting for a Girl Like You” at New York City’s Electric Lady Studio for his band Foreigner more than 40 years ago. Gramm was adding his vocals for the track in the control room on the other side of the glass when he noticed a beautiful woman walking through the door. “She sits on the sofa in front of the board,” he says. “She looked at me while I was singing. And every now and then, she had a little smile on her face. I’m not sure what that was, but it was driving me crazy. “And at the end of the song, when I’m singing the ad-libs and stuff like that, she gets up,” he continues. “She gives me a little smile and walks out of the room. And when the song ended, I would look up every now and then to see where Mick [Jones] and Mutt [Lange] were, and they were pushing buttons and turning knobs. They were not aware that she was even in the room. So when the song ended, I said, ‘Guys, who was that woman who walked in? She was beautiful.’ And they looked at each other, and they went, ‘What are you talking about? We didn’t see anything.’ But you know what? I think they put her up to it. Doesn’t that sound more like them?” “Waiting for a Girl Like You” became a massive hit in 1981 for Foreigner off their album 4, which peaked at number one on the Billboard chart for 10 weeks and…
Share
BitcoinEthereumNews2025/09/18 01:26